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Jere Suontausta: Peilipöllö (Bubo speculus) II and I

A fictive-dystopian bird species and a sculptural artwork.

The second version of the artwork, built after the lost original: 

Peilipöllö (Bubo speculus) II is a fictive-dystopian bird species and a sculptural light art work realized almost entirely using found and recycled materials. The materials of the work include such things as broken museum light reflectors, a wine goblet, napkin holders, Czechoslovak pastry molds, dessert dishes and other kitchenware. The sound is made by using a mirror closet door as an instrument.

Bubo speculus is both an introverted fantasy and a statement; the big-eyed owl glances at us at the verge of ecocatastrophe and mass extinction, greeting the spectator with distorted, melancholic hoots. Formerly known as a nocturnal species, the now full-time performer owl has developed a completely reflective appearance to survive amidst light pollution.

 

Peilipöllö (Bubo speculus) Jere Suontausta kuvaaja: Valtteri Kahelin
Peilipöllö (Bubo speculus), photo: Valtteri Kahelin.

 

About the original Peilipöllö (Bubo speculus), 2019

 

The original Peilipöllö (Bubo speculus) is a fictive-dystopian bird species and a sculptural light installation that consists almost entirely out of found and recycled materials.

 

The original artwork cannot be rebuild. It is in BLAF as a showcase only.

 

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Peilipöllö (Bubo speculus) Jere Suontausta kuvaaja: Anu Plym Peilipöllö (Bubo speculus) Jere Suontausta kuvaaja: Anu Plym Peilipöllö (Bubo speculus) Jere Suontausta kuvaaja: Timo Sivonen
Peilipöllö (Bubo speculus). The first two photos are captured by Anu Plym, and the last one on the right by Timo Sivonen.
Master of Arts (Theatre and Drama), b. 1994, Lives in Helsinki

Information

Artwork finished in: 2021

PEILIPÖLLÖ (BUBO SPECULUS) II

Which kind of light sources and what other materials and equipment are used? LED, incandescent light, found materials, electronics.

Please provide the dimensions of the work. Approximate size will do. Please mention if the work can be adjusted. (width-height-depth): Approx. 40cm x 65cm x 40cm.

Electricity consumption: Standard mains current (10A/16A).

Does the artwork use sound? Directional/effect sound from inside the sculpture.

Support and other structures: The work needs support structures, hanging points, or similar.

Please state which structures, hardware or other equipment is needed from the client: Rigging: The owl is installed to "sit" via the superclamp feet of the sculpture; it is possible to fasten to an existing surface, or build/augment aluminum piping to a desired location. A "dystopian tree" stand, built out of metal pipe and found scrap materials may also be built for the sculpture to sit on, this is always a site-specific case. In addition to the rigging/installation of the sculpture, additional fixing points for focused point lighting is needed - the artwork is illuminated with 3 or 4-point lighting

Minimum height of the space: 270cm

Minimum square meters of the space: ---

Requirements for the space: darkness, temperature, colouring (light / dark / specific colour / other) etc.: Moderate darkness. No loud sounds nearby, the sound the artwork has is not super powerful.

Building time and people required (estimate): 1-1,5 days, one technician/helping hand needed with building the rigging.

Artist's presence: Artist or their representative must be present during building.

Seen before at: Varjotarinoita, Mikkeli, 2021, Factory Light Festival, Asker, 2021, City of Light, Jyväskylä, 2021, Metronom, Mustio, 2023, Aalto Aesthetics, Seinäjoki, 2023

PEILIPÖLLÖ (BUBO SPECULUS) ORIGINAL

Is the artwork available for exhibiting?
No, the artwork can't be rebuilt and is in BLAF as a showcase only.

Which kind of light sources and what other materials and equipment are used?
The sculpture consists of almost entirely found or recycled materials and objects, such as vintage kitchenware, czechoslovakian cookie molds, a mirror ball and used reflectors from exhibition lighting. There are LED and incandescent light sources inside the sculpture. A separate, focused lighting is done according to the exhibition space and surroundings.

Does the artwork use sound?
Directional/effect sound from inside the sculpture.

Seen before at:
Loiste Ylöjärvi, Ylöjärvi, 2019 - Reflektor Korso, Vantaa, 2019 - Lux Helsinki, Helsinki, 2020

Contact the artist about this artwork